Spotlight - 2.5/5
What an adequate movie. I think it’s main bit of trouble is that it treats the ideas of priests molesting kids as revelatory, but it’s, like, common cultural knowledge, dudes. There’s no tension in the learning. Man, what I wouldn’t give for some manufactured drama. It’s real-deal journalism, but no sense of the pure effort of it all. Blah blah blah.
Tuesday, March 8, 2016
Monday, March 7, 2016
Each person you speak to has had a day.
Anomalisa - 3.5/5
A fairly normal story told weirdly. Not to say that the way it was made was unnecessary to what it is, because it’s very important. It’s just not as odd of a story as you might be expecting. Beautifully rendered, with some scenes approaching life-like in that off-putting yet admirable way. This is a rare case where the trailer perhaps makes for a vehicle to better understand the movie: you have to constantly remind yourself why other people are special. You forget it, it gets lost. You yourself, as also the main character, want to be seen as special, but so rarely do you look at others in that way. You have to look at others the way they don’t look at you. You have to force yourself to see what’s interesting. You have to be vigilant.
A fairly normal story told weirdly. Not to say that the way it was made was unnecessary to what it is, because it’s very important. It’s just not as odd of a story as you might be expecting. Beautifully rendered, with some scenes approaching life-like in that off-putting yet admirable way. This is a rare case where the trailer perhaps makes for a vehicle to better understand the movie: you have to constantly remind yourself why other people are special. You forget it, it gets lost. You yourself, as also the main character, want to be seen as special, but so rarely do you look at others in that way. You have to look at others the way they don’t look at you. You have to force yourself to see what’s interesting. You have to be vigilant.
The book of jobs.
Hail, Caesar! - 4.5/5
I could hardly love this more than I do. Perhaps it is because it is a feeling that I’m constantly feeling – am I doing the right thing (professionally)? And that’s a difficult question, a life of possibilities and all, but damn if this isn’t a beautiful answer. On the tip-top layer, it’s about movies as religion, but that’s only because that’s the thing everybody can relate to: the magic of cinema, the wide-eyed wonder and pure belief that that whole thing manages to create in everyone. And that’s what they show (so fucking easily). But just a little bit beyond that, it’s about jobs – any job – and the faith that comes through the machinery of Work. A builder doesn’t necessarily see the cathedral he’s building; he just sees the sweat and sore muscles and asshole bosses and lazy coworkers and shortcuts and bad decisions and whatever other bullshit came between the dirt and the cross at top. Is there a better way to spend your time? A nobler purpose? Yes. Sure. Probably. But this is your work. And all the bullshit and all the good shit can only exist at *your* work. And that’s Josh Brolin’s journey – he can’t enjoy it like everyone else can, he can hardly see the magic through all the idiots and primadonnas and what-have-you. Too deep in the middle of things, he can’t remember why he’s there, he can't view it fresh from the outside of it – but he believes in it. I wholeheartedly believe this movie is about Joel and Ethan Coen reminding themselves why they do what they do.
I could hardly love this more than I do. Perhaps it is because it is a feeling that I’m constantly feeling – am I doing the right thing (professionally)? And that’s a difficult question, a life of possibilities and all, but damn if this isn’t a beautiful answer. On the tip-top layer, it’s about movies as religion, but that’s only because that’s the thing everybody can relate to: the magic of cinema, the wide-eyed wonder and pure belief that that whole thing manages to create in everyone. And that’s what they show (so fucking easily). But just a little bit beyond that, it’s about jobs – any job – and the faith that comes through the machinery of Work. A builder doesn’t necessarily see the cathedral he’s building; he just sees the sweat and sore muscles and asshole bosses and lazy coworkers and shortcuts and bad decisions and whatever other bullshit came between the dirt and the cross at top. Is there a better way to spend your time? A nobler purpose? Yes. Sure. Probably. But this is your work. And all the bullshit and all the good shit can only exist at *your* work. And that’s Josh Brolin’s journey – he can’t enjoy it like everyone else can, he can hardly see the magic through all the idiots and primadonnas and what-have-you. Too deep in the middle of things, he can’t remember why he’s there, he can't view it fresh from the outside of it – but he believes in it. I wholeheartedly believe this movie is about Joel and Ethan Coen reminding themselves why they do what they do.
Incapable of being culpable.
Muppets Most Wanted - 3/5
Ugh, shit, why did I wait too long to review these shits. I don’t remember. Better than I thought it would be? Filled with little tiny gags. I like throwaways.
Ugh, shit, why did I wait too long to review these shits. I don’t remember. Better than I thought it would be? Filled with little tiny gags. I like throwaways.
You have to pick the sin you can live with.
Horns - 2.5/5
Interesting idea, but I like it better as a metaphor than a, like, spiritual/supernatural thing. The idea being about you becoming the devil others already think you are. Either because their perceptions are out of your control or because it’s easier (and more freeing) to be the thing they think you are. And that’s a cool thought, but then it becomes typical.
If you are going to eat a sandwich, you would just enjoy it more if you knew no one had fucked it.
What We Do In The Shadows – 4/5
It’s not just some ‘The Office’-level shenanigans, where you laugh at jackasses laughing at idiots – the smart guy laughing with the smart guys. Here, everyone’s an idiot and you’re an idiot laughing at idiots laughing at idiots. There’s no straight man here, except for, like, the straightest dude, and the whole movie builds to be a genuine and unexpected story rather than just some lame slice-of-life thing.
It’s not just some ‘The Office’-level shenanigans, where you laugh at jackasses laughing at idiots – the smart guy laughing with the smart guys. Here, everyone’s an idiot and you’re an idiot laughing at idiots laughing at idiots. There’s no straight man here, except for, like, the straightest dude, and the whole movie builds to be a genuine and unexpected story rather than just some lame slice-of-life thing.
This is a fucking asshole of a day.
MacGruber - 2/5
Just, you know, my personal preference, but I think it’s funnier when he’s a dumbass rather than an asshole. I’ve got a big desire to like Will Forte because he’s got a real dumb face, but he keeps wanting me to hate it.
What warm unspoken secrets will we learn?
Phantom of the Opera - 2/5
Schumacker doesn’t know how to make the visuals interesting while they sing. Lots of sets, but no idea how to move the camera around them. Elaborate but uninteresting. You want to know a quick way to ruin a great rock opera of a title song? Accompany it with the dulcet visuals of slowly walking down long passageways. Joel Schumacher from ‘Batman & Robin,’ where the fuck are you when we need you? I wish the whole movie could’ve had that ridicu-seriousness of the drum machines and synth in that song. The ‘this is stupid, but it’s great.’ The improbability of it working. Get those Rocky Horror fucks to make this shit as weird as it’s supposed to be. It’s not horror, it’s not drama; it’s surprisingly deep schlock.
Schumacker doesn’t know how to make the visuals interesting while they sing. Lots of sets, but no idea how to move the camera around them. Elaborate but uninteresting. You want to know a quick way to ruin a great rock opera of a title song? Accompany it with the dulcet visuals of slowly walking down long passageways. Joel Schumacher from ‘Batman & Robin,’ where the fuck are you when we need you? I wish the whole movie could’ve had that ridicu-seriousness of the drum machines and synth in that song. The ‘this is stupid, but it’s great.’ The improbability of it working. Get those Rocky Horror fucks to make this shit as weird as it’s supposed to be. It’s not horror, it’s not drama; it’s surprisingly deep schlock.
Daddy needs to express some rage.
Deadpool - 3.5/5
I believe it all comes down to whether you like Ryan Reynolds. And I do! You know, it’s a fun movie that leaves me with nothing substantial to really say about it. It’s a genial and occasionally hilarious neighbor and I won’t turn the channel when its segment of 'DVD on TV' comes on F/X.
I believe it all comes down to whether you like Ryan Reynolds. And I do! You know, it’s a fun movie that leaves me with nothing substantial to really say about it. It’s a genial and occasionally hilarious neighbor and I won’t turn the channel when its segment of 'DVD on TV' comes on F/X.
If you know what an animal looks like, you just, well, you just start making an animal.
Fast, Cheap, and Out of Control - 2/5
My fourth attempt to like an Errol Morris movie ends in failure. I’ll say this – he keeps it interesting. Talking heads accompanied by driving music that doesn’t fit their subject matter. Well-framed shots of their subject matter, looking as epic as I’m sure it looks in their head. It defies easy descriptions or a simple sum up. I don’t know why I find that as troublesome as I should. I suppose I’m just annoyed at a puzzle I can’t figure out.
My fourth attempt to like an Errol Morris movie ends in failure. I’ll say this – he keeps it interesting. Talking heads accompanied by driving music that doesn’t fit their subject matter. Well-framed shots of their subject matter, looking as epic as I’m sure it looks in their head. It defies easy descriptions or a simple sum up. I don’t know why I find that as troublesome as I should. I suppose I’m just annoyed at a puzzle I can’t figure out.
Thursday, March 3, 2016
I let you know me.
The Long Goodbye - 4/5
Man, Elliott Gould is so fucking good. The impossible cool of Spike Spiegel by way of a homeless man who found a nice suit in a trash can. Nothing to lose except his cat. And that’s gone, brother. And that’s the thing, the thing I’m maybe just now realizing – he moves through Los Angeles like a man without a care, but he’s got some. I don’t know if I buy the ‘Rip Van Marlowe’ filter (where he’s been asleep for 20 years, waking up in an era his morality doesn’t quite match) because Elliot Gould is so fucking '70s, but he definitely has the sense of right, reasonable wrong, and of wrongs gone too far. He’s lost his ego, but not his center; lost himself, but not what he stands for. He’ll let himself be made a fool, but not by the people that matter to him. Friendship is friendship, man. You don’t fuck with that.
Man, Elliott Gould is so fucking good. The impossible cool of Spike Spiegel by way of a homeless man who found a nice suit in a trash can. Nothing to lose except his cat. And that’s gone, brother. And that’s the thing, the thing I’m maybe just now realizing – he moves through Los Angeles like a man without a care, but he’s got some. I don’t know if I buy the ‘Rip Van Marlowe’ filter (where he’s been asleep for 20 years, waking up in an era his morality doesn’t quite match) because Elliot Gould is so fucking '70s, but he definitely has the sense of right, reasonable wrong, and of wrongs gone too far. He’s lost his ego, but not his center; lost himself, but not what he stands for. He’ll let himself be made a fool, but not by the people that matter to him. Friendship is friendship, man. You don’t fuck with that.
I’d prefer you didn’t.
Just Friends - 2.5/5
I forget (or never realized) that early Ryan Reynolds was just an angrier, vitriolic Jim Carrey. He's a physical comedian that uses a lot of mean words. Here, he’s an egotistical asshole that never gets what he wants, which makes him less insufferable. The problem with the movie is that what he wants – Amy Smart – is boring. There’s nothing there to indicate why they were friends, or why he would want to take it further. She’s just a generic pretty girl. Extra points for the brother relationship, which could’ve sustained the entire movie.
I forget (or never realized) that early Ryan Reynolds was just an angrier, vitriolic Jim Carrey. He's a physical comedian that uses a lot of mean words. Here, he’s an egotistical asshole that never gets what he wants, which makes him less insufferable. The problem with the movie is that what he wants – Amy Smart – is boring. There’s nothing there to indicate why they were friends, or why he would want to take it further. She’s just a generic pretty girl. Extra points for the brother relationship, which could’ve sustained the entire movie.
What’s the hurry, Harry?
Miracle Mile - 4/5
There’s a rare mood found here. It’s got a heapin’ helpin’ of wacky and legit-no-shit tension that leads you to have the same reaction to watching the movie as the characters have of living in it: how seriously can you take this? Is the world going to end in 50 minutes? And why would we trust this guy? You’ve got no idea where it’s going to go. And I think it would have succeeded regardless of where it ended up. And Tangerine Dream fits along perfectly: building pressure while being hard to take seriously. Like holding a needle next to a children's party balloon. Shit – it sounds like an insult.
There’s a rare mood found here. It’s got a heapin’ helpin’ of wacky and legit-no-shit tension that leads you to have the same reaction to watching the movie as the characters have of living in it: how seriously can you take this? Is the world going to end in 50 minutes? And why would we trust this guy? You’ve got no idea where it’s going to go. And I think it would have succeeded regardless of where it ended up. And Tangerine Dream fits along perfectly: building pressure while being hard to take seriously. Like holding a needle next to a children's party balloon. Shit – it sounds like an insult.
Thursday, February 11, 2016
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