There you go.

Giving a fuck when it ain't your turn.

We have traveled this way before,

And there is much to be learned.

Thou art slave to Fate, Chance, kings, and desperate men,

And dost with poyson, warre, and sicknesse dwell.

You must be true

to the physics of the lie.

The poetry

of logical ideas.

All sorted out then.

The Invention of Lying - 4.5/10. People can't tell a lie so much as they are obsessively compelled to say exactly what they are feeling at any given moment. As such, it plays out like a common and very poorly fleshed-out skit. As a testament to its inability to piece itself together, it starts off with a non-sequitur narration that explains what sort of world this is because it certainly can't use storytelling to that effect. Half into it, it escapes sentimentality and turns into The Life of Brian and suddenly becomes very funny, but then it stops being The Life of Brian and it stops being funny. It falls into the same trap as Idiocracy in that it's a great conceit that could have played for days, but it tries to paste it all into the outline of a romantic comedy.

I don’t think I have really.

I don’t see that change is always good. A lot of people think that change for some sake is good, but it’s not true, you know. Sometimes the old shit is better and you invent yourself out of a good time.

Old: I've got to dookie.

New: I'm going to dookie.

If you don't have anything nice to say,

start a band.

Johnny Horsecock.

Extract - 7/10. Sometimes you got to fuck up your life to set it right. Broader comedy than his previous efforts, but without the bigger ideas of 'Office Space' or 'Idiocracy.' It's very likeable, and a better movie than 'Idiocracy,' but it's just not very deep.

Some folks'll.

Some folksn't.

Once a crowd chased me for an autograph.

"Beat it," I said, "go sit on a tack!" "We made you," they said.
"Like hell you did," I told them.

And I sought in him a war

which I had escaped.