Pain and Gain - 2.5/5
It’s got a good tone, but it’s not very funny? More than the explosions and the whiz-bang editing, I think Michael Bay’s great at capturing this tone, whatever it is. And he doesn’t know how to change it. Things don’t get sad or happy or angry, even when that’s the emotion on-screen. It’s this filmical anesthesia – it feels nice; it feels like nothing. A blankness. If you sit there and let it wash over you, you can match its steady heartbeat. Not raise it, not lower it, just match it, the whole way through.